Korg Keystage Control Keyboard Offers MIDI 2.0, Polyphonic Aftertouch
Korg has introduced Keystage, a new MIDI keyboard controller that features MIDI 2.0 and Polyphonic Aftertouch.… Read More Korg Keystage...
polyphonic aftertouch
NI has new Kontrol S-Series MK3 keyboards with polyphonic aftertouch
Native Instruments has updated their Kontrol S-Series with a single big glass screen, redesigned buttons, and one big new feature...
Native Instruments Intros Kontrol S-Series MK3 Keyboard MIDI Controllers With Polyphonic Aftertouch
Native Instruments today announced new Kontrol S-Series MK3 MIDI controller keyboards, including the S49, S61, and S88.… Read More Native...
UDO Super Gemini Synth Coming At Superbooth 2023 (Sneak Preview)
The Super Gemini is a 20-voice polyphonic, bi-timbral analog-hybrid flagship keyboard, featuring polyphonic aftertouch. … Read More UDO Super Gemini...
ASM Hydrasynth Explorer Now $499 (Was $599)
With the sale pricing, the Hydrasynth Explorer is arguably the most powerful mini-key synth ever, and is one of the...
Behringer UB-Xa Synthesizer ‘Now Complete’, Moving To Production
Behringer says that the UB-Xa, originally introduced in 2018, is moving into production.… Read More Behringer UB-Xa Synthesizer ‘Now Complete’,...
Yamaha CS80: The Most Iconic Sound Machine of All Time
"It wasn't cheap...but it really is ticking the boxes I was hoping it would."… Read More Yamaha CS80: The Most...
Xjam USB MIDI Performance Controller Now Available
ESI has introduced Xjam, a new portable MIDI performance controller, featuring a solid aluminum chassis and pads with polyphonic aftertouch.…...
Polyphonic Aftertouch On The Behringer UB-Xa Synthesizer
Polyphonic aftertouch is a keyboard feature that's, unfortunately, been extremely rare.… Read More Polyphonic Aftertouch On The Behringer UB-Xa Synthesizer
Sound Design With Polyphonic Aftertouch On The Waldorf Iridium
In the last few years, manufacturers have started offering new keyboards and keyboard controllers with polyphonic aftertouch, like they ASM...
