Amigo Sampler, Amiga sampling in plug-in form for £10, plus skank music
How about Commodore AMIGA-style sampling - complete with pixel UI, lo-fi sampling styles, vintage time-stretching, and both modern and Amiga...
netherlands
Meng Qi’s new Wingie2 firmware is inspired by the late Rob Hordijk’s Blippoo Box
Dutch designer Rob Hordijk inspired many instrument creators before his death last fall. Meng Qi is one of those moved...
Brutal, creative sound worlds in 4-part compilation from Paula Temple’s Noise Manifesto
Distort sound, distort norms - that's the watchcry of Paula Temple's Noise Manifesto. But even though it's a celebration of...
NAP 0.5.0, free realtime visual tool, adds GPU computation, Web, RasPi support, new look
NAP, the free and open-source live visualization toolkit, has an all-new look, powerful GPU computation capabilities, a Web portal ......
Exist weaves ethereal new sounds from Ramallah Palestine to the world
There is a scene that now, more than ever, is decentralized. But that doesn't mean simply "out of major hubs."...
At Instruments series by Morphine Records, physicality and improvisation meet invention
In a world when so much seems virtual, remote, simulated, and yet oddly pre-scripted, Berlin's Morphine Records turned in the...
NAP, a free, high-performance data-driven visual and audio platform, is now slicker than ever
Secret sauce? Hardly. It's more like a hot sauce competition with everyone sharing recipes. Naivi'a NAP Framework, if you missed...
In Instruments series, encounters between inventors and musicians, watchable online
Starting tonight, and continuing over nine more dates in October, the freshly-inaugurated Morphine Raum will host events exploring invention and...
Lucifer is a dark FM oscillator for drones and drums and evil – Error Instruments does Superbooth
Your Eurorack modular is already mostly evil. But why not go straight to the top - erm, bottom - and...
The Insolventunclesam is a synth about printing money, by Gijs Gieskes
Enigmatic Dutch synth inventor Gijs Gieskes has a musical instrumental response to the strangeness of late capitalism – and it’s...
